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Opinion & Analysis

Dave Baysden and the art of golf

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Dave Baysden is the kind of guy you root for. A father and husband first and foremost, the North Carolina native has found a way to finally do what he is passionate about professionally. Luckily for all of us, that passion is art.

Golf art, specifically. Though he does paint all types of outdoor and sports scenes, golf is what has helped put him on the map. And in a world where so much of the golf art belongs in the realism and historical categories, Baysden’s work is imagination and color mixed with all of our dreams of playing the best golf holes in the world.

“I have loved art and creativity since I can remember,” Baysden said. “I’ve always drawn, doodled, painted – whatever.  It was always just who I was created to be, not necessarily something I was interested in.”

Baysden works as a graphic designer for an engineering firm now. And while that job provides security and comfort, it was not long ago he decided he needed to get back to the joy he once found creating art as a child.

“I decided to just start something, paint something,” he said. “I began small – painting little watercolors while sitting on the couch with my wife after the kids fell asleep. I remember the first night, starting with a few ideas…a trout, a fly-fishing scene, baseball players and the Masters.  Pretty much what I still enjoy painting. So, I figured – paint what you know, right? Golf is a sport that is beautiful.  Easy to use that for inspiration.”

And it is a game he loves to play, too. A golf nut just like so many of us, Baysden loves being outside and draws much of his inspiration from beautiful courses and nature. Golf provides the visuals and landscapes that fuels artistic passions while adding extra dimensions of history, characters, competition, and story-lines. Baysden has proven to have a knack for capturing the spirit of the game.

TPC Sawgrass- 17th Hole

Pine Valley- 10th Hole

Working with both acrylic and watercolor, Baysden says he starts with a loose plan for each painting and then messes it up until he likes it. A self-taught artist, he has had to work to find a process that works best for him…but most importantly, it needs to be a process that he enjoys.

“I love spending late nights in my workshop throwing paint around.  I’ve generally got music playing — a mix of Americana, country and classic rock,” Baysden said. “Like golf, painting is an extremely mental activity for me. If I can enjoy the process of a painting, then I can overcome the doubts and fears that are constantly ringing in my head.  Golf is the same way… I’m learning to enjoy the process of a round of golf – the few ups and plentiful downs – and I feel like my game is seeing some improvement. I’ve got a lot of work to do though in both art and golf.”

Quail Hollow- 18th- Watercolor

Last summer, Baysden began a new process of painting using only a golf tee as his tool. He wanted a new creative challenge and figured if he changed his palette knife and brush to something different, then he might create something different as well. He looked around his desk and saw a golf tee and a light bulb went off. He also creates these gorgeous little paintings on thick wood panels so he can drill a hole in the top to include the tee that was used. That way, the owner can rest a golf ball on top. Perfect for a hole in one display.

Sweetens Cove- Tee Painting

Illustration is also a huge part of Baysden’s creative outlet. Professional golf provides a wonderful subject matter for comic style story-lines. “I just try to capture highlights and storylines from the majors in a fun, lighthearted and creative way.  It takes me back to those Sunday comics pages. I do a quick illustration to sum up each day of the tournament in a single image cartoon.”

2018 PGA Championship- Day 1

 

2018 US Open- Day 3

Several tour players have responded positively on social media, too. Dustin Johnson, Bryson DeChambeau and Tom Watson have all reacted to illustrations done by Baysden in one manner or another. But the biggest connection to the Tour definitely came from Matt Kuchar and The Masters. Baysden had been in Atlanta for the 2016 Tour Championship at East Lake, just walking around the course, sketching. He painted several quick scenes around East Lake, including a watercolor sketch of the Seamus headcovers in Matt Kuchar’s bag. Baysden had already been a fan of Seamus and their unique designs, so he was excited to do a quick painting for his portfolio. He later posted the piece on his Instagram account and tagged Seamus Golf. Next thing he knew, the owner of Seamus, Akbar Chisti, contacted him and asked for the painting for his own collection.

The two continued to correspond over the next year and Baysden even did an original painting backdrop for  Seamus Golf’s  PGA booth–an image of the Old MacDonald course at Bandon Dunes. Then Baysden had another creative idea. “We started batting around the idea of doing a painting on canvas that could be made into headcovers. We decided on a few scenes and then just went for it. I sent him some paintings of Augusta and Shinnecock on pre-cut headcover canvases, they sewed them up and he said he was going to approach Kuchar about using them at the Masters.” And that is exactly what happened. Matt Kuchar used a one of a kind, Dave Baysden painted Seamus headcover in the 2018 Masters Tournament. “It’s still such a highlight and something I can’t believe came together.”

The opportunities keep coming for Baysden. And that is great for us, the consumers of the fruits of his passion. Baysden is swamped with commission requests and proposals and he credits that to his friends in the art community who continue to drive him towards his goals.

Baysden has had the opportunity to work with State Apparel on a mural for their San Francisco location and has also had his art displayed on the cover of Caddie Magazine. While his art is exceptional, he isn’t alone in the blossoming golf art community.

Several other artists (Baysden mentioned Josh Bills, Mike Cocking, Lee Wybranksi, Bart Forbes, Joshua Smith, Chris Duke as huge inspirations) continue to challenge and encourage him to create something great every day. Baysden feels humbled to have his art alongside those artists and hopes to promote a sense of community and support of all golf artwork. 

“I’m just amazed it took me so long to overcome the fears that kept me from creating anything in the first place, but even more amazed at the responses I have received once I just started creating.”

Please keep creating, Dave Baysden. For all of us.

State Apparel- San Francisco

Johnny Newbern writes for GolfWRX from Fort Worth, Texas. His loving wife lets him play more golf than is reasonable and his three-year-old son is a tremendous cart partner. He is a Scotty Cameron loyalist and a lover of links-style courses. He believes Coore/Crenshaw can do no wrong, Gil Hanse is the king of renovations, and hole-in-ones are earned, not given. Johnny holds a degree in journalism from Southern Methodist University.

3 Comments

3 Comments

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  2. Nack Jicklaus

    Mar 9, 2019 at 8:10 pm

    Great stuff.

  3. Tom

    Mar 9, 2019 at 4:06 pm

    Love his work….

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Opinion & Analysis

The 2 primary challenges golf equipment companies face

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As the editor-in-chief of this website and an observer of the GolfWRX forums and other online golf equipment discourse for over a decade, I’m pretty well attuned to the grunts and grumbles of a significant portion of the golf equipment purchasing spectrum. And before you accuse me of lording above all in some digital ivory tower, I’d like to offer that I worked at golf courses (public and private) for years prior to picking up my pen, so I’m well-versed in the non-degenerate golf equipment consumers out there. I touched (green)grass (retail)!

Complaints about the ills of and related to the OEMs usually follow some version of: Product cycles are too short for real innovation, tour equipment isn’t the same as retail (which is largely not true, by the way), too much is invested in marketing and not enough in R&D, top staffer X hasn’t even put the new driver in play, so it’s obviously not superior to the previous generation, prices are too high, and on and on.

Without digging into the merits of any of these claims, which I believe are mostly red herrings, I’d like to bring into view of our rangefinder what I believe to be the two primary difficulties golf equipment companies face.

One: As Terry Koehler, back when he was the CEO of Ben Hogan, told me at the time of the Ft Worth irons launch, if you can’t regularly hit the golf ball in a coin-sized area in the middle of the face, there’s not a ton that iron technology can do for you. Now, this is less true now with respect to irons than when he said it, and is less and less true by degrees as the clubs get larger (utilities, fairways, hybrids, drivers), but there remains a great deal of golf equipment truth in that statement. Think about it — which is to say, in TL;DR fashion, get lessons from a qualified instructor who will teach you about the fundamentals of repeatable impact and how the golf swing works, not just offer band-aid fixes. If you can’t repeatably deliver the golf club to the golf ball in something resembling the manner it was designed for, how can you expect to be getting the most out of the club — put another way, the maximum value from your investment?

Similarly, game improvement equipment can only improve your game if you game it. In other words, get fit for the clubs you ought to be playing rather than filling the bag with the ones you wish you could hit or used to be able to hit. Of course, don’t do this if you don’t care about performance and just want to hit a forged blade while playing off an 18 handicap. That’s absolutely fine. There were plenty of members in clubs back in the day playing Hogan Apex or Mizuno MP-32 irons who had no business doing so from a ballstriking standpoint, but they enjoyed their look, feel, and complementary qualities to their Gatsby hats and cashmere sweaters. Do what brings you a measure of joy in this maddening game.

Now, the second issue. This is not a plea for non-conforming equipment; rather, it is a statement of fact. USGA/R&A limits on every facet of golf equipment are detrimental to golf equipment manufacturers. Sure, you know this, but do you think about it as it applies to almost every element of equipment? A 500cc driver would be inherently more forgiving than a 460cc, as one with a COR measurement in excess of 0.83. 50-inch shafts. Box grooves. And on and on.

Would fewer regulations be objectively bad for the game? Would this erode its soul? Fortunately, that’s beside the point of this exercise, which is merely to point out the facts. The fact, in this case, is that equipment restrictions and regulations are the slaughterbench of an abundance of innovation in the golf equipment space. Is this for the best? Well, now I’ve asked the question twice and might as well give a partial response, I guess my answer to that would be, “It depends on what type of golf you’re playing and who you’re playing it with.”

For my part, I don’t mind embarrassing myself with vintage blades and persimmons chasing after the quasi-spiritual elevation of a well-struck shot, but that’s just me. Plenty of folks don’t give a damn if their grooves are conforming. Plenty of folks think the folks in Liberty Corner ought to add a prison to the museum for such offences. And those are just a few of the considerations for the amateur game — which doesn’t get inside the gallery ropes of the pro game…

Different strokes in the game of golf, in my humble opinion.

Anyway, I believe equipment company engineers are genuinely trying to build better equipment year over year. The marketing departments are trying to find ways to make this equipment appeal to the broadest segment of the golf market possible. All of this against (1) the backdrop of — at least for now — firm product cycles. And golfers who, with their ~15 average handicap (men), for the most part, are not striping the golf ball like Tiger in his prime and seem to have less and less time year over year to practice and improve. (2) Regulations that massively restrict what they’re able to do…

That’s the landscape as I see it and the real headwinds for golf equipment companies. No doubt, there’s more I haven’t considered, but I think the previous is a better — and better faith — point of departure when formulating any serious commentary on the golf equipment world than some of the more cynical and conspiratorial takes I hear.

Agree? Disagree? Think I’m worthy of an Adam Hadwin-esque security guard tackle? Let me know in the comments.

@golfoncbs The infamous Adam Hadwin tackle ? #golf #fyp #canada #pgatour #adamhadwin ? Ghibli-style nostalgic waltz – MaSssuguMusic

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Podcasts

Fore Love of Golf: Introducing a new club concept

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Episode #16 brings us Cliff McKinney. Cliff is the founder of Old Charlie Golf Club, a new club, and concept, to be built in the Florida panhandle. The model is quite interesting and aims to make great, private golf more affordable. We hope you enjoy the show!

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Opinion & Analysis

On Scottie Scheffler wondering ‘What’s the point of winning?’

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Last week, I came across a reel from BBC Sport on Instagram featuring Scottie Scheffler speaking to the media ahead of The Open at Royal Portrush. In it, he shared that he often wonders what the point is of wanting to win tournaments so badly — especially when he knows, deep down, that it doesn’t lead to a truly fulfilling life.

 

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A post shared by BBC SPORT (@bbcsport)

“Is it great to be able to win tournaments and to accomplish the things I have in the game of golf? Yeah, it brings tears to my eyes just to think about it because I’ve literally worked my entire life to be good at this sport,” Scheffler said. “To have that kind of sense of accomplishment, I think, is a pretty cool feeling. To get to live out your dreams is very special, but at the end of the day, I’m not out here to inspire the next generation of golfers. I’m not out here to inspire someone to be the best player in the world, because what’s the point?”

Ironically — or perhaps perfectly — he went on to win the claret jug.

That question — what’s the point of winning? — cuts straight to the heart of the human journey.

As someone who’s spent over two decades in the trenches of professional golf, and in deep study of the mental, emotional, and spiritual dimensions of the game, I see Scottie’s inner conflict as a sign of soul evolution in motion.

I came to golf late. I wasn’t a junior standout or college All-American. At 27, I left a steady corporate job to see if I could be on the PGA Tour starting as a 14-handicap, average-length hitter. Over the years, my journey has been defined less by trophies and more by the relentless effort to navigate the deeply inequitable and gated system of professional golf — an effort that ultimately turned inward and helped me evolve as both a golfer and a person.

One perspective that helped me make sense of this inner dissonance around competition and our culture’s tendency to overvalue winning is the idea of soul evolution.

The University of Virginia’s Division of Perceptual Studies has done extensive research on reincarnation, and Netflix’s Surviving Death (Episode 6) explores the topic, too. Whether you take it literally or metaphorically, the idea that we’re on a long arc of growth — from beginner to sage elder — offers a profound perspective.

If you accept the premise literally, then terms like “young soul” and “old soul” start to hold meaning. However, even if we set the word “soul” aside, it’s easy to see that different levels of life experience produce different worldviews.

Newer souls — or people in earlier stages of their development — may be curious and kind but still lack discernment or depth. There is a naivety, and they don’t yet question as deeply, tending to see things in black and white, partly because certainty feels safer than confronting the unknown.

As we gain more experience, we begin to experiment. We test limits. We chase extreme external goals — sometimes at the expense of health, relationships, or inner peace — still operating from hunger, ambition, and the fragility of the ego.

It’s a necessary stage, but often a turbulent and unfulfilling one.

David Duval fell off the map after reaching World No. 1. Bubba Watson had his own “Is this it?” moment with his caddie, Ted Scott, after winning the Masters.

In Aaron Rodgers: Enigma, reflecting on his 2011 Super Bowl win, Rodgers said:

“Now I’ve accomplished the only thing that I really, really wanted to do in my life. Now what? I was like, ‘Did I aim at the wrong thing? Did I spend too much time thinking about stuff that ultimately doesn’t give you true happiness?’”

Jim Carrey once said, “I think everybody should get rich and famous and do everything they ever dreamed of so they can see that it’s not the answer.”

Eventually, though, something shifts.

We begin to see in shades of gray. Winning, dominating, accumulating—these pursuits lose their shine. The rewards feel more fleeting. Living in a constant state of fight-or-flight makes us feel alive, yes, but not happy and joyful.

Compassion begins to replace ambition. Love, presence, and gratitude become more fulfilling than status, profits, or trophies. We crave balance over burnout. Collaboration over competition. Meaning over metrics.

Interestingly, if we zoom out, we can apply this same model to nations and cultures. Countries, like people, have a collective “soul stage” made up of the individuals within them.

Take the United States, for example. I’d place it as a mid-level soul: highly competitive and deeply driven, but still learning emotional maturity. Still uncomfortable with nuance. Still believing that more is always better. Despite its global wins, the U.S. currently ranks just 23rd in happiness (as of 2025). You might liken it to a gifted teenager—bold, eager, and ambitious, but angsty and still figuring out how to live well and in balance. As much as a parent wants to protect their child, sometimes the child has to make their own mistakes to truly grow.

So when Scottie Scheffler wonders what the point of winning is, I don’t see someone losing strength.

I see someone evolving.

He’s beginning to look beyond the leaderboard. Beyond metrics of success that carry a lower vibration. And yet, in a poetic twist, Scheffler did go on to win The Open. But that only reinforces the point: even at the pinnacle, the question remains. And if more of us in the golf and sports world — and in U.S. culture at large — started asking similar questions, we might discover that the more meaningful trophy isn’t about accumulating or beating others at all costs.

It’s about awakening and evolving to something more than winning could ever promise.

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