Opinion & Analysis
Gil Hanse talks new Les Bordes project, what makes a good golf course, and much more
Gil Hanse is regarded as one of the finest “minimalist” golf course architects of the late 20th and early 21st centuries. He’s been entrusted with restoring of the most revered and respected course designs in the game, including Oakland Hills (Donald Ross), Baltusrol (A.W. Tillinghast), and Fishers Island (Seth Raynor). And his original designs have drawn wonderful reviews, including for Streamsong Black, Rio Olympic Course in Brazil, and an 18-hole layout for the Crail Golfing Society in Fife, Scotland.
Hanse and his longtime partner and course shaper, Jim Wagner, enjoy the luxury of picking and choosing which projects they undertake, such is the demand for his services. One of them selected is the New Course at Les Bordes Golf Club in France’s Loire Valley, 90 minutes from Paris. It is scheduled to open in July 2021, and it will join the existing New Course (Robert von Hagge design). Together with the Wild Piglet, a 10-hole short course, and the Himalayas putting course, both which Hanse designed, Les Bordes is regarded at one Continental Europe’s finest golf clubs.

The Gil Hanse-designed New Course at Les Bordes Golf Club is surrounded by the Sologne Forest in France’s famed Loire Valley.
Dan Shepherd: Where do you see Les Bordes sitting on the golf world stage as a facility?
Gil Hanse: I think that, with the two 18-hole golf courses and the amenities that are already in place and the ones that are coming, I can’t see how Les Bordes won’t be considered one of the finest golfing destinations in Europe or in the world. You have all the cultural attractions around you, you’ve got the food and the wine, the quality of the amenities. It will be an idyllic place to spend time even if you weren’t playing golf, and then to have these two golf courses so different and varied in their challenges and their presentation really runs the full gamut. I don’t know where else in the world you could find that sort of variety.
DS: Can you pick out a couple of holes on the New Course that you especially like and tell us a bit about them?
GH: The 15th hole, a short-par four, would be one of them. There’s a lot of character and interest, when we were working on it we talked through the philosophy and then Jim Wagner shaped and executed it wonderfully and added some tremendous character to it. On the front nine, I’ve always liked the sixth hole, just the way it flows through the landscape and the different breaks. Trying to be reminiscent a little bit of Tom Simpson with segmented fairways and the way the green lays so simply on the ground.
DS: What makes the landscape at Les Bordes so special? And what makes this golf estate unique.
GH: The diversity of the plant materials is really something we have never encountered, with the broom and the bracken and the variety of trees throughout the property and the fescue grasses. Now they’ve also introduced heather so I think that there are all these great textures there that the golf course just seems to sit amongst. That’s what makes it unique, I can’t think of another golf landscape that looks and feels like the New Course at Les Bordes. There are so many different facets to heathland courses, which you can see in the courses just north of Paris like Morfontaine and Chantilly and the course much closer to where we live in Pine Valley, and I think there are all these different elements here that will create a unique experience at Les Bordes.
DS: How is it possible to build two completely different golf courses on the same estate?
GH: I think it was two different philosophies as to how Robert von Hagge did the Old Course and we approached the New Course. From that perspective, a significant amount of time passed between the creation of both golf courses, and I think that lent itself to, stylistically, different courses that appear differently, because one feels more manufactured and one feels more natural. Neither one is right or wrong, they are just different and one golf course extracts a very harsh penalty for poorly played shots and the other is a little bit more forgiving. I think that is what’s going to make Les Bordes one of the most wonderful golf destinations in the world, you have two distinctly different golf courses from two different eras but the quality of both of them is equivalent in how they were created and how they are presented.

The Old Course at Les Bordes was designed by Robert von Hagge, and it offers a diverse yet complementary counterpoint to the New Course that will debut in July 2021.
DS: When and how was this project initiated?
GH: The first time I went there was in June 2018. The owner and I had some mutual friends and the conversation came up that the owners were hoping to build a new golf course. The owner had said that he was really hoping to work with us on it, and that fact that we had mutual friends made that conversation easy to get initiated. Once I came to look at the property I was immediately sold on the potential of the ground, and then the hospitality that I was shown while I was there was amazing. Being able to stay on property and the wine and the food; I was treated very well.
DS: What course would you compare the New Course at Les Bordes with?
GH: I can’t think of a direct comparison. There are elements of a number of golf courses including a lot of the great heathland courses around London and several heathland courses around Paris. I think that Jim Wagner and I are always influenced by Pine Valley, which is very near to us here at home, and I think that some of the scale of National Golf Links is apparent out there. If you roll all of those into one, I think that’s a pretty good recipe.
DS: What was it that attracted you about the site at Les Bordes?
GH: The sand and the vegetation, and the reputation of the place. Obviously, we’ve heard of Les Bordes here, so the quality of the site itself and the commitment of the ownership as well, which is a big thing. When we’re considering the criteria of a project, Jim Wagner and I always ask ourselves “Do we have the potential to do something exceptional,” and I think that, while the topography at Les Bordes is not the most outstanding we’ve ever worked with, it still has enough character to it, and the vegetation and the soil gave us the opportunity to do something exceptional. Secondly, we ask ourselves “are we going to have fun doing it” and working with the ownership at Les Bordes, and if you can’t have fun in that part of the world and enjoy yourself then I think there’s something wrong with you. So I think the combination of all those really added up to that being a very attractive project for us. We’ve never built anything in Continental Europe and we wanted to make sure that our first project there was going to be something special, and Les Bordes gave us that opportunity.
DS: What can we expect from the New Course?
GH: You can expect fun golf in a natural, perfect setting. We were given the opportunity from the ownership to build some interesting golf holes; stylistically, it was fun for all of us to focus on Tom Simpson and some of his beautiful creations and some of his inspired designs, not that we copied him stylistically or design-wise but we were certainly influenced by him and that was a treat for us.
DS: It’s been reported you took inspiration from Tom Simpson, what elements of his work were most relevant here and how have you blended those with your own concepts?
GH: The scale of his bunkering was something that we really paid attention to, with clusters or rows of bunkers and that was interesting. From our perspective, it was just the way that they blended into the landscape that was amazing. Some of the green complexes that he built were fairly eccentric and so we felt that we could create a few on the golf course like that, but then he also built some greens that were simple in their presentation yet complex in their subtlety, and a lot of those things fed into what we did at Les Bordes. I know going forward, if the landscape is a good fit, we would certainly do more things in the style of Tom Simpson.
DS: How challenging was it for you to create a new course near the one (the Old Course) that’s considered one of the best in Continental Europe?
GH: I don’t think that we found it to be a challenge or challenging, we found it to be inspirational. It’s always nice when you come to a project and the level of quality is established through the existing golf course and the existing facilities, all of which are to a really high standard. We were excited and challenged in our creativity and what we were trying to do and hopeful that, when all is settled, Les Bordes has two golf courses that are very highly regarded, but I would be lying if I didn’t hope that ours was a little more highly regarded.
DS: Do you feel you succeeded in your goal and why?
GH: I do. I think that every golf architect when they are given a site hopes that the best that they can do is to maximize the characteristics of the site, and I feel that we have done that with the New Course. I feel that we have provided a great variety in the two different nines; we have captured the best of the topography on site; we have worked to enhance some of those areas through added elevation; and we have worked to create a very interesting and playable test of golf. I’m confident that, with all the work that we’ve done there, we have maximized the potential of the property and, as a golf architect when you walk away, that’s all that you can hope for.
DS: Tell me about the Wild Piglet.
GH: One of the things that golf is doing a better job on right now, and Les Bordes is certainly offering that with The Himalayas putting green and The Wild Piglet, is just fun. Fun and access, and providing an easy entry point to the game. You can go out and laugh at yourself, have a good time and not worry about losing golf balls or have the pressures of playing a full-size golf course. Our attempt there was to create a very fun and playable experience, but also one where a good player could go out there and be tested with shots. In order to succeed on The Wild Piglet, you’ve got to hit some really good shots, but you’ve also got the opportunity to just go out there and bang it around and have fun. One of the things that Jim Wagner and I worked with the team on was, basically, giving everybody their own golf hole or holes, and just letting everybody have a crack at it. It was fun and I think that if you go into your own little incubator, independent of everybody around you, it gives you the opportunity to be as creative as you want. Then, ultimately, Jim and I would take a look but I don’zt think that we’ve edited things very much. You have some individual expressions out there that, when put together, comprises 10 really fun, unique golf holes.
DS: What are the characteristics of a golf course that make you want to play it again and again? What makes it recognizable?
GH: I think that it’s fun and that there are interesting shots. It’s the ability to go out one time and then think, “OK, next time I play it I’m going to try this differently” or that you get put into a different circumstance each and every round, but that the design and the creativity within the design allows you to approach the problem solving differently each time. I think there’s that sense of the playability of the course and then there’s just the beauty of it and the presentation. I think that golf courses that have a sense of place and that feel like they belong where they’re sitting is also something that makes me want to continue to play it. I think that adds to the character and the quality of it so the way it looks, the way it feels as you walk through the landscape, and then, certainly, the way it plays and challenges you to be creative are courses that I want to keep playing over and over.
DS: How would you describe your style as a course architect? What are the general trends? And which architect has inspired you the most?
GH: We don’t have a style! I hope that we respond to each and every site, and that a golf course we have built at Les Bordes does not look like a golf course that we have built in southern Georgia at Ohoopee or Southern California at Rustic Canyon. I hope that every course we’ve built has a sense of place and a sense of belonging which will then, ultimately, provide unique opportunities. Through our methodology of being on-site so much, if we can capitalize on these opportunities, then each golf course should feel unique. I think our courses have some similarities in that we like wider playing corridors and interesting green complexes, and I think our bunkers are particularly attractive, but they do still blend into the native landscape and hopefully our courses change style to style depending on the site that we’re given.
DS: What does a course architect have as a weapon, apart from the overall length, to make a golf course really challenging for professionals?
GH: The greatest defense is firm conditions, and the opportunity to build a golf course in a place where the ball will bounce in the fairway and the greens. Professional golfers work so hard at their game and hone their craft so well so that they have a predictable outcome every time they hit a golf ball. They know when they hit their seven-iron what the outcome will be, but if the conditions are firm and they’re not sure if the ball’s going to bounce twice and check or not going to check at all, that’s the best defense, and that relies on the conditions on-site and obviously Mother Nature for a tournament. But I think from an architect’s perspective, the only other challenges we can provide are mental ones where golfers maybe feel a little bit uneasy about the shot that’s in front of them because they can’t quite see everything or they can’t quite determine the best way to play the hole is. Those are the type of courses that require study, and I think those are the best examples of golf architecture.
DS: What are the qualities of a good golf course?
GH: I think that a good golf course should have a sense of place, a sense of belonging, it doesn’t feel that it’s been transported from somewhere else and feels like it belongs on a property, and that it is one that has a variety of ways to play it, interest in the features that have been created or that have been found in the landscape, and it has to be fun. It’s a balance between fun and interest versus difficulty, and we want to provide ways for golfers to navigate around a golf course based on their own skill level and if a golf course gives you that opportunity to map or think your way through it, then I think that’s the best an architect can do.
DS: How much did/do you know about golf courses in France and what do you make of the architecture you have seen?
GH: I think of the countries where I have seen golf in continental Europe, France has by far the best, most superior golf-course design. You can put Morfontaine and Chantilly and some of the other courses around Paris up against some of the best courses in the world, not just in Europe, and so I think that when you have a few anchor courses that provide those opportunities, and then you have some newer courses that have been built that aspire to do really good things, and I think they do, I feel like France has a really good golfing baseline. That allowed us to build in a country that already had expectations for quality golf, and we’re hopeful that what we’ve created adds to that.
Opinion & Analysis
Brandel Chamblee PGA Championship Q&A: Rose’s huge McLaren risk, distracted LIV pros and why Aronimink suits the bombers
PGA Championship week is here, and Brandel Chamblee did not hold back in our latest discussion ahead of the season’s second major.
In our 2026 PGA Championship Q&A, golf’s leading analyst made the case that PIF pulling LIV’s funding has left its players competing in a state of confusion, called Justin Rose’s mid-season equipment switch a huge risk at 45, and explained why Aronimink will be a bombers’ delight this week.
Check out the full Q&A below.
Gianni: With the PIF confirming that they’re pulling funding from LIV at the end of the season, what impact do you expect that to have on the LIV players competing at the PGA Championship?
Brandel: I would imagine that they have all been thrown into a state of confusion, and will be distracted, not knowing where they are going to play next year and not knowing exactly their road back to either the DP World Tour or the PGA Tour. Or in Rahm’s case, being tied to a sinking ship for the next few years, likely playing for pennies on the dollar in events that no one cares about or watches.
I doubt this would put him in the best frame of mind to compete at his highest level. Keeping in mind, however, that majors are the only time that LIV disciples get to play in events that matter, so never disregard the motivation they have to prove to the world they are still relevant.
Gianni: Justin Rose switched to McLaren Golf equipment mid-season while playing some of the best golf of his career. What do you make of the change?
Brandel: I don’t really know what to make of Rose switching equipment. It seems a huge risk on his part, even though it is likely, in my opinion, that the clubs he’s playing are similar, if not the exact grinds, to what he was playing previously, with a McLaren stamp on them.
Having said that, at best, it is a distraction when he seemed to be as dialed in with his game as any 45-year-old could be and trending in the majors to perhaps do something that would definitely put him in the Hall of Fame. At worst, given the possibility that these clubs aren’t just duplicates of his old set stamped with McLaren on them, he’s made an equipment change that would take time, and 45-year-old athletes don’t have the time to do such things.
Gianni: Aronimink has only hosted a handful of professional events since it hosted the 1962 PGA Championship. What kind of test does it present, and does a course with less recent major championship history tend to level the playing field?
Brandel: Even though Aronimink has only hosted a handful of meaningful professional events, it has been fairly discerning in who can win there. When Keegan Bradley won the BMW Championship on the Donald Ross masterpiece in 2018, he was the 2nd best iron player on tour coming into that week. When Nick Watney won the AT&T at Aronimink in 2011, he was 2nd in strokes gained total coming into the week.
In 2020, Aronimink hosted the KPMG Championship, and Sei Young Kim won. On the LPGA that year, she was first in greens in regulation, putts per green in regulation, and scoring average on the way to being the LPGA player of the year. And then there is the 1962 PGA Championship won by Gary Player, who eventually became just one of a few players to win the career grand slam on the way to winning 9 majors. It is a formidable test, and if it’s not softened by rain, it will bring out the best in the upper echelons of the game.
Gianni: Is there a specific hole at Aronimink that you think will do the most to decide the winner?
Brandel: The hardest hole at Aronimink in each of the three tour events that have been played there since 2010 has been the long par-3 8th hole, with the par-4 10th being the second hardest, so most of the carnage will happen around the turn, but with the par-5 16th offering opportunities for bold plays and the tough closing holes at 17 and 18, the finish is likely to be frenetic.
Gianni: The PGA Championship has always sat in the shadow of the other majors. What does the ideal PGA Championship look like in your eyes, and what would it take for it to carve out its own identity?
Brandel: The PGA Championship, to whatever degree it suffers from the comparison to the other three majors, is still counted just as much when adding them up at the end of one’s career. Almost 1/3 of Nicklaus’ major wins were the five PGA Championships he won. Walter Hagen won 11 majors, five of which were PGA Championships.
Tiger Woods twice in his career won back-to-back PGA Championships, and those four majors count just as much as the other 11 he won. The PGA may not have the prestige of the other three, but it carries the same weight. Having said that, I preferred the identity that it had as the last major of the year.
Gianni: You nailed your Masters picks. Rory won, Scottie finished solo second, and Morikawa surged to a tie for seventh. Who are your top 3 picks for the PGA Championship and why?
Brandel: I am not a huge fan of majors played on golf courses that have been shorn of most of the trees, although I understand some of the agronomic reasons for doing so and of course the ease with which it allows members to play after errant drives. However, at the highest level, it all but eliminates any strategy off the tee and turns professional golf into an even bigger slugfest. That means that it will likely be a bomber’s delight this week, but fortunately, Scottie Scheffler is long enough to play that game and straight enough to play it better than anyone else.
The major championships give us very few surprises anymore, going back to the beginning of 2012, so the last 57 majors played, the average world rank of the winners has been better than 15th in the world. So look at the highest ranked and longest drivers who are on form coming into the PGA Championship who also have great short games as the surrounds at Aronimink are very challenging. That’s Scottie Scheffler by a mile and then McIlroy and Cameron Young with a far bigger nod towards DeChambeau than I gave him at the Masters.
Club Junkie
A putter that I love and hate – Club Junkie Podcast
In this episode of the Club Junkie Podcast, we dive into one of the most interesting flatstick releases of the year with a full review of the new TaylorMade SYSTM 2 putters. After spending time on the greens, I break down what makes this design stand out, where it performs, and why it has me completely torn between loving it and fighting it. If you are into feel, alignment, and consistency, this is one you will want to hear about.
We also take a look at some of the putters in play on the PGA Tour last week. From familiar favorites to a few surprising setups, there is always something to learn from what the best players in the world are rolling with under pressure.
To wrap things up, I walk through the process of building a set of JP Golf Prime irons paired with Baddazz Gold Series shafts. From component selection to performance goals, this is a deep dive into what goes into creating a unique custom set and why this combo has been so intriguing.
Opinion & Analysis
From 14 handicap to pro: 4 things I’d tell golfers at 50
This year my 50th birthday. Gosh, where has the time gone?
As a teenager in rural Missouri, some of my junior high and high school years felt interminable. Graduation seemed light years away. But the older I get, the faster life seems to fly by.
I’m also increasingly aware of my mortality. My dad died recently. Earlier this year, a friend and fellow PGA of America professional and I were texting about our next catch-up. The next message I received was news of his unexpected passing at 48. Shortly after, a woman I dated in college succumbed to cancer at 51.
Certainly, one can share perspective at any age. Seniors help freshmen, veterans guide rookies. But reaching this milestone feels like as good a time as any to do one of those “what would I tell my younger self?” articles.
I’ve had a uniquely varied career in golf. I started as a 27-year-old, average-length-hitting, 14-handicap computer engineer and somehow managed to turn pro before running out of money, constantly bootstrapping my way forward. I’ve won qualifiers and set venue records in the World Long Drive Championships, finished fifth at the Speedgolf World Championships, coached all skill levels as a PGA of America professional, built industry-leading swing speed training programs for Swing Man Golf, helped advance the single-length iron market with Sterling Irons®, caddied on the PGA TOUR and PGA TOUR Champions, and played about 300 courses across 32 countries.
It’s been a ride, and I’ve gone both deep and wide.
So while I can consult and advise from a lot of angles, let me keep it to a few things I’d tell the average golfer who wants to improve.
1. Think About What You Want
Everyone has their own reason for picking up a golf club.
Oddly, as a professional athlete, I’m not internally driven by competition. That can be challenging, as the industry currently prioritizes and incentivizes competition over the love of the game.
For me, I love walking and being outdoors. Nature helps balance my energy. I prefer courses that are integrated into the natural beauty of their surroundings. I’m comfortable practicing alone. I’m a deep thinker, and I genuinely enjoy investigating the game, using data and intuition to unearth unique, often innovative insights. I’m fortunate to be strong and athletic, so I appreciate the chance to engage with my abilities. Traveling feels adventurous. I could go on.
You don’t have to overthink it like I do. For you, it might be as simple as hitting balls to escape work, hanging out with friends, and playing loosely with the rules and the score.
The point is to give yourself permission to play for your own reasons, and let that be enough.
But if improvement is your goal, thinking about your destination—and when you want to get there—is important, because it dictates the steps you need to take. When I set out to go from a 14-handicap to the PGA TOUR as quickly as possible, the steps I needed were very different from those of a working golfer trying to break 90 in six months. That’s also different from someone who just wants a few peaceful hours outside each week, away from work or family.
None of these goals are better than the others, but each requires a different plan that you can work backward from.
2. There Are Lots of Things That Can Work
One of the challenges of golf is that, although there are rules for playing, there aren’t clear, industry-wide standards for how to best play the game. There’s a lot of gray area.
You might hear a top coach or trainer insist that a certain move is the best way to swing or train. Then you dig a bit deeper and, much to your confusion and frustration, another respected coach or trainer says something completely different. I don’t think anyone is trying to confuse you—at least I hope not. It’s just where the industry is right now.
You have to be careful with advice from tournament pros, too. They might be great at scoring, but they’re also human and sometimes just as susceptible as amateurs to believing things that don’t really move the needle. Tour players might describe what they feel, but that’s not always what they’re actually doing when assessed with technology.
I recently ran a test on my YouTube channel (which connects to my GolfWRX article “How to use your hands in the golf swing for power and accuracy”), and, interestingly, two of the most commonly taught hand actions produced the worst results in the test.
Coaches can certainly help. If you find someone you connect with to help navigate, that’s great. But there are many ways to get the ball in the hole. In the current landscape, you may need to seek multiple opinions, think critically, and use your own intuition to discern what seems true and whose advice resonates with you.
I’d recommend seeking someone who is open-minded and always learning, because things constantly change. Absolutes like “correct” or “proper” should raise a red flag. AI can be useful, but it tends to confidently repeat popular advice, so proceed with caution.
3. Get Custom Fit
If you’re serious about becoming a better player, getting custom fit is hugely important. There’s no sense fighting your equipment if you don’t have to. Most better players get fit these days and, if they don’t, they’re usually skilled enough to work around clubs that aren’t ideal.
If you plan to play for a long time, it’s worth spending a little more upfront to get something that truly fits you and your game, rather than continually buying and discarding equipment.
Equipment rules haven’t really changed significantly since the early 2000s. To stay in business, manufacturers keep pushing those limits. If you pull a bunch of clubs and balls off the rack and test them, you’ll find differences. I’ve tested two new drivers and seen a 30-yard total distance gap. Usually, the issue isn’t bad equipment; it’s that the combination of components simply isn’t the best fit.
It’s like wearing a new pair of floppy clown shoes. Sure, they’re shoes—but you won’t sprint your best in them compared to track shoes that fit perfectly.
Be wary of what’s called custom fitting, too. Sometimes the term is used as a marketing strategy rather than an actual fitting. In some retail settings, fitters may be incentivized to steer you toward higher-priced components. That doesn’t automatically mean it’s not the best fit, but you should be aware of potential biases.
I learned a version of this lesson outside of golf. Years ago, I bought a tennis racquet at a big box store from a seemingly knowledgeable employee who thought it would suit me best. The racquet gave me tennis elbow, and I spent months recovering with rest and acupuncture. The next season, I invested more time and money to find what actually fit me, and I walked away with something amazing that I still play with years later.
So if you’re going to get fit, be smart about it.
Find someone you believe has deep knowledge—possibly with certifications, but not necessarily. Make sure there’s a wide inventory across many brands. Check recent reviews for the individual fitter if possible. Make sure you trust that the fitter has your best interests at heart. If they’re wearing a hat or shirt with a specific brand’s logo, proceed with caution. Unless you specifically want a certain brand or look, be wary of upsells, especially if two options perform nearly the same.
Also, while golf is called a sport of integrity, there’s a thread of manipulation in the industry. I once drafted an equipment article for an industry magazine, structured just like one of their previous popular stories, with matching word count and great photos. The assistant editor loved it; it was useful to readers and required little work on his part. But the editor-in-chief nixed the story. When I asked why, I was told it was because I wasn’t an advertiser. It turned out the article I’d modeled mine after was a paid ad cleverly disguised as editorial content.
I really dislike games, clickbait, and fear-based manipulation. I hope this changes, but golfers deserve to know it exists.
4. Distance and Strategy Matter
There’s a real relationship between how far you hit the ball and your scoring average, even at the PGA TOUR level.
I experienced this early in my pro career. I started as a power hitter, swinging in the high 120s and breaking 200 mph ball speed with a stock driver.
Back then, some instructors advised swinging at 80%, so I tried slowing down for more accuracy. That worked fine on shorter, tighter courses. But on longer setups, I was coming into greens with too much club, and par 5s stopped being
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