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Opinion & Analysis

A tip to make your round better: Bring your camera

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One of the main criticisms of golf is the time it takes to play a round.

A lot could be accomplished off the golf course in those four or more hours. You could clean the house, mow the lawn or organize your garage in that span of time, or you could watch an entire Peter Jackson movie.

I share your concerns about the time spent on the course. But if I could make one simple suggestion to make the day feel more accomplished and have your round seem more complete, may I suggest using your camera on the course?

Depending on where I am in the world, I’ve been known to bring my SLR (single lens reflex) camera with me on the course to capture the essence of the course the way I see it — from a golfer’s point of view. Like most of you, I own my share of golf calendars and books full of lush, green photos of faraway golf destinations. But these beautiful photos are typically from a bird’s eye view, capturing a perspective of the course that a player typically doesn’t have access to.

We have been spoiled to appreciate the beautiful landscapes of these golf courses by these professional photos and the amazing TV coverage from cranes and the MetLife blimp. But often times the beauty of the golf course is how the players see it, at eye level staring down at the pin 100 yards away. If I can provide you some tips for taking great photos on the course quickly and easily, I would argue that most of you would be able to produce your own album of golf photos that others would enviably say, “Wow! Where is this?”

But before I get into it a bit more, I want to add a caveat by pointing out that I’m not encouraging you to spend time walking the course and looking for the right photo opportunity. I’m sure you can imagine someone wandering off the fairway when they should be playing ready golf and I’m sure you can feel the frustration as you look at your partners asking:

“Would you look at this clown? What is he doing?”

Great photographs take time to compose, whether it is the right light, the right moment or the way the wind is blowing. That is what a lot of professional photographers are doing when taking the photos you see in books, and chances are they are not playing the course nor have a group of four behind them waiting (sometimes impatiently) to take your golf shot. Please use these five tips when the time is right and when you are not contributing to slow play on the golf course. If you are able to remember some of these tips while walking or riding the course, you should be able to take a quick photo in stride and not affect your speed of play. Besides, I don’t want the golf community to be angry with me for encouraging you to wander around the course like a tourist…or a clown.

Tip# 1: The best camera you have is the one you have available

There is nothing worse for a photographer like being unprepared for a photo opportunity and having to fidget around with controls, setting and lenses to ensure they get the right shot. That takes up time and annoys even a photographer like myself. Mobile phones have come a long way and are adequately equipped to take excellent photos, just as good as a point and shoot camera and some SLR’s. And because most everyone carries a smartphone nowadays, it is already with you and ready at the hip to take a quick shot. The photo above was taken using my iPhone — no special lighting, filters or lenses. I couldn’t miss this opportunity and grabbed the most available camera I had on hand. If convenient, and you were able to bring a camera bag with you, I would recommend taking an SLR camera with a wide angle lens as well, but typically the camera on your phone will be able to capture interesting and memorable photos if you are able to see things differently, which leads me to…

Tip #2: See the course differently

What separates an amateur photographer from a working professional is the ability to see the everyday in a different way. Now that might be a mind blowing concept for someone who doesn’t take photos very often, but I am talking to golfers and I know for a fact that golfers have an innate ability to visualize – whether it is seeing how the ball will draw/fade, how to manage the swirling breeze that just kicked up or reading a 60-foot putt that appears to have a double break and two elevation changes. That ability to visualize and see things differently is exactly what a photographer does before they take the shot. No one likes a “spray and pray” golfer — same goes for photographers.

For example, it is very common to take a photo at eye level standing up. There’s nothing wrong with that at all, but you can make things a bit different and interesting if you were to see the course and the image differently. Maybe stand behind your ball and give it a dramatic view by taking a photo on the ground. The ball is the focal point, but the essence of the photo is still the backdrop of the hole, keeping the viewer well tuned that this is a golf photo on a real golf course. Think about an ant’s eye view rather than the bird’s eye view we are all accustomed to seeing.

Another example would be to take photos of the interesting lies you left yourself with. Maybe you are off the fairway in the woods and there is a small bit of daylight that lets you see the pin a few hundred yards away. Take that image as if you were setting up for the shot, with the ball in the frame and the pin a sliver of color and it gives the viewer a sense of the challenge you faced. Perhaps you ended up dropping the ball in the fairway, but at least the image shows the difficulty level of the shot. And you can always lie about how you punched the shot through the branches and landed it within 10 feet to save par. Bring the viewer to the course the way you saw it and the unconventional suddenly becomes interesting.

Tip #3: Use a focal point

The reason why golf courses design a “signature hole” is to create a focal point, a chosen hole that makes the course interesting and sets it apart from other golf courses in the world. They will use images of the signature hole for promotional purposes to frame and speak to the beauty of their golf course symbolized by this one hole.

Kananaskis 

You don’t necessarily have to wait for the signature hole to take photos though. The course itself has many features that make it different from others, and it is those features that can make a photo stand out. In Arizona, you can use the cacti or the visible division of fairway versus off-fairway details of desert golf to bring interest to the photo. In Orlando, the use of palm trees to line a golf hole makes it certain that this wasn’t a hole in Canada. In Alberta, many holes are framed by evergreen trees and the backdrop of the Rocky Mountains, something you would never see in Orlando. Include some golf details where possible to remind yourself that these amazing sights were taken on a golf course.

Other easy examples of focal points to compose interesting images are right in your bag. The reflection of your driver head can be used to capture your foursome and if you are really adventurous, you can hold the driver up off the ground and squeeze in the landscape into the photograph as well. This can be done at the tee box and wouldn’t take much time at all.

Tip#4: It’s all about light

Ask any professional photographer and they will tell you that the secret to taking great photographs of anything is light. Light is what enables us to see an image, and the use of light will determine the mood of a photo. Take a look at the professional golf photos in those calendars and books – you know what you will see? Almost all of them were taken at sunrise or sunset. During those two times of the day, we are given the best natural light for any photos. It is why many of us have a sunset/sunrise photo or two in our collection, we all know it is the most beautiful a sky can get.

So for the early morning golfer and the after work dusk golfer, you are in luck because most any photo you take during these times of the day will turn out really nice (light wise, composition is still up to you). The softness of the sun will always highlight objects and scenery with a pleasant warm glow that will certainly make you look like you knew what you were doing. Though the convention is to never shoot into the sun, it is during this time where you should experiment with it and allow yourself the opportunity to get the sun’s effect on the clouds and how it illuminates the sky with dazzling color.

For the other unfortunate souls who have to deal with midday light, I got nothing for you. Sorry.

Just kidding. In midday light, you will have good results when you have the sun slightly behind you or to the side. Even better is a partially cloudy day when the sun is hidden and the shade provides the best midday light possible. Without getting too technical, shaded light enables you to capture highlights, mid tones and shadows in the image which in turn provides dimension and avoids the appearance of a “flat looking photograph.” Photos at sunrise and sunset are successful because of the dramatic tones and transitions from light to shadow, allowing you to see the undulations of the fairway and greens and giving a sense of depth and dimension.

Tip#5: Take non-golf photos too

This one might take a little convincing, but if you were to enjoy the golf course as a chance to be outdoors and not just an activity where you drink and bet dinners with your friends, you will likely find it is no different than going for a nice walk or hike (just with a few tossed clubs and four letter words thrown in). And when people go for a nice walk or hike, they will take the time to see the flowers or the birds and really immerse themselves into the nature of their surroundings.

If you have a chance, don’t hesitate to take a quick snapshot of the eagle perched on the top of a tree or the flowers that greet you at the tee box. Unlike nature, golf courses are well manicured and taken care of so the flora you come across may seem too perfect. That is a perfect chance to get that image because like a food photo from a magazine, the staging is already done for you and all you need to do is take the photo.

 Stewart Creek

Similar to Tip #3, use your surroundings to remind yourself that you aren’t in your own backyard. Take photos of the interesting features that you don’t see very often at home. I’m personally fascinated by architecture and have enjoyed seeing some of the amazing mid-century modern homes from the 50’s and 60’s that lined many fairways in Palm Springs. These are homes that I only get to see in magazines, and being able to see it in person was thrilling and almost transported me back in time until I had to pull out my 2012-model driver.

Taking photographs during your round is arguably a good way to multitask and can help you feel as though you’ve achieved a lot more than just golf in four hours (and it’s way better than sending work emails). As long as you are able to take the photos within the flow of the game and not slow down the pace of your foursome, you will be rewarded with some great images to share and look back on. It can also tame the frustrations of a challenging 18 hole ordeal — maybe your score didn’t prove it, but at least your photos can provide evidence that it was in fact a beautiful day.

Dennis lives in Calgary, Canada where golf is available (at best) six months of the year. The other six months are spent understanding the nuances of the game that make it so addicting and wonderfully frustrating. In a perfect world, Dennis would take his set of G10s and his D300S to travel the world playing and photographing the beautiful, unique landcapes of the golf world. For now, he sits at a desk and is developing an eight-layer golf ball simply called "The Tour Ocho."

2 Comments

2 Comments

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    Aug 9, 2014 at 6:47 am

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  2. T.Litz

    Jan 16, 2013 at 12:36 am

    Great points Den. Multitasking does help..in a golf course? for me it’s one or the other. First I suck at golf which I determined later and convinced that I can’t be good at everything so I slowly reduced the amount of energy trying and spend just a tad more into my photography…then there’s bliss.

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Opinion & Analysis

The 2 primary challenges golf equipment companies face

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As the editor-in-chief of this website and an observer of the GolfWRX forums and other online golf equipment discourse for over a decade, I’m pretty well attuned to the grunts and grumbles of a significant portion of the golf equipment purchasing spectrum. And before you accuse me of lording above all in some digital ivory tower, I’d like to offer that I worked at golf courses (public and private) for years prior to picking up my pen, so I’m well-versed in the non-degenerate golf equipment consumers out there. I touched (green)grass (retail)!

Complaints about the ills of and related to the OEMs usually follow some version of: Product cycles are too short for real innovation, tour equipment isn’t the same as retail (which is largely not true, by the way), too much is invested in marketing and not enough in R&D, top staffer X hasn’t even put the new driver in play, so it’s obviously not superior to the previous generation, prices are too high, and on and on.

Without digging into the merits of any of these claims, which I believe are mostly red herrings, I’d like to bring into view of our rangefinder what I believe to be the two primary difficulties golf equipment companies face.

One: As Terry Koehler, back when he was the CEO of Ben Hogan, told me at the time of the Ft Worth irons launch, if you can’t regularly hit the golf ball in a coin-sized area in the middle of the face, there’s not a ton that iron technology can do for you. Now, this is less true now with respect to irons than when he said it, and is less and less true by degrees as the clubs get larger (utilities, fairways, hybrids, drivers), but there remains a great deal of golf equipment truth in that statement. Think about it — which is to say, in TL;DR fashion, get lessons from a qualified instructor who will teach you about the fundamentals of repeatable impact and how the golf swing works, not just offer band-aid fixes. If you can’t repeatably deliver the golf club to the golf ball in something resembling the manner it was designed for, how can you expect to be getting the most out of the club — put another way, the maximum value from your investment?

Similarly, game improvement equipment can only improve your game if you game it. In other words, get fit for the clubs you ought to be playing rather than filling the bag with the ones you wish you could hit or used to be able to hit. Of course, don’t do this if you don’t care about performance and just want to hit a forged blade while playing off an 18 handicap. That’s absolutely fine. There were plenty of members in clubs back in the day playing Hogan Apex or Mizuno MP-32 irons who had no business doing so from a ballstriking standpoint, but they enjoyed their look, feel, and complementary qualities to their Gatsby hats and cashmere sweaters. Do what brings you a measure of joy in this maddening game.

Now, the second issue. This is not a plea for non-conforming equipment; rather, it is a statement of fact. USGA/R&A limits on every facet of golf equipment are detrimental to golf equipment manufacturers. Sure, you know this, but do you think about it as it applies to almost every element of equipment? A 500cc driver would be inherently more forgiving than a 460cc, as one with a COR measurement in excess of 0.83. 50-inch shafts. Box grooves. And on and on.

Would fewer regulations be objectively bad for the game? Would this erode its soul? Fortunately, that’s beside the point of this exercise, which is merely to point out the facts. The fact, in this case, is that equipment restrictions and regulations are the slaughterbench of an abundance of innovation in the golf equipment space. Is this for the best? Well, now I’ve asked the question twice and might as well give a partial response, I guess my answer to that would be, “It depends on what type of golf you’re playing and who you’re playing it with.”

For my part, I don’t mind embarrassing myself with vintage blades and persimmons chasing after the quasi-spiritual elevation of a well-struck shot, but that’s just me. Plenty of folks don’t give a damn if their grooves are conforming. Plenty of folks think the folks in Liberty Corner ought to add a prison to the museum for such offences. And those are just a few of the considerations for the amateur game — which doesn’t get inside the gallery ropes of the pro game…

Different strokes in the game of golf, in my humble opinion.

Anyway, I believe equipment company engineers are genuinely trying to build better equipment year over year. The marketing departments are trying to find ways to make this equipment appeal to the broadest segment of the golf market possible. All of this against (1) the backdrop of — at least for now — firm product cycles. And golfers who, with their ~15 average handicap (men), for the most part, are not striping the golf ball like Tiger in his prime and seem to have less and less time year over year to practice and improve. (2) Regulations that massively restrict what they’re able to do…

That’s the landscape as I see it and the real headwinds for golf equipment companies. No doubt, there’s more I haven’t considered, but I think the previous is a better — and better faith — point of departure when formulating any serious commentary on the golf equipment world than some of the more cynical and conspiratorial takes I hear.

Agree? Disagree? Think I’m worthy of an Adam Hadwin-esque security guard tackle? Let me know in the comments.

@golfoncbs The infamous Adam Hadwin tackle ? #golf #fyp #canada #pgatour #adamhadwin ? Ghibli-style nostalgic waltz – MaSssuguMusic

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Podcasts

Fore Love of Golf: Introducing a new club concept

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Episode #16 brings us Cliff McKinney. Cliff is the founder of Old Charlie Golf Club, a new club, and concept, to be built in the Florida panhandle. The model is quite interesting and aims to make great, private golf more affordable. We hope you enjoy the show!

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Opinion & Analysis

On Scottie Scheffler wondering ‘What’s the point of winning?’

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Last week, I came across a reel from BBC Sport on Instagram featuring Scottie Scheffler speaking to the media ahead of The Open at Royal Portrush. In it, he shared that he often wonders what the point is of wanting to win tournaments so badly — especially when he knows, deep down, that it doesn’t lead to a truly fulfilling life.

 

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“Is it great to be able to win tournaments and to accomplish the things I have in the game of golf? Yeah, it brings tears to my eyes just to think about it because I’ve literally worked my entire life to be good at this sport,” Scheffler said. “To have that kind of sense of accomplishment, I think, is a pretty cool feeling. To get to live out your dreams is very special, but at the end of the day, I’m not out here to inspire the next generation of golfers. I’m not out here to inspire someone to be the best player in the world, because what’s the point?”

Ironically — or perhaps perfectly — he went on to win the claret jug.

That question — what’s the point of winning? — cuts straight to the heart of the human journey.

As someone who’s spent over two decades in the trenches of professional golf, and in deep study of the mental, emotional, and spiritual dimensions of the game, I see Scottie’s inner conflict as a sign of soul evolution in motion.

I came to golf late. I wasn’t a junior standout or college All-American. At 27, I left a steady corporate job to see if I could be on the PGA Tour starting as a 14-handicap, average-length hitter. Over the years, my journey has been defined less by trophies and more by the relentless effort to navigate the deeply inequitable and gated system of professional golf — an effort that ultimately turned inward and helped me evolve as both a golfer and a person.

One perspective that helped me make sense of this inner dissonance around competition and our culture’s tendency to overvalue winning is the idea of soul evolution.

The University of Virginia’s Division of Perceptual Studies has done extensive research on reincarnation, and Netflix’s Surviving Death (Episode 6) explores the topic, too. Whether you take it literally or metaphorically, the idea that we’re on a long arc of growth — from beginner to sage elder — offers a profound perspective.

If you accept the premise literally, then terms like “young soul” and “old soul” start to hold meaning. However, even if we set the word “soul” aside, it’s easy to see that different levels of life experience produce different worldviews.

Newer souls — or people in earlier stages of their development — may be curious and kind but still lack discernment or depth. There is a naivety, and they don’t yet question as deeply, tending to see things in black and white, partly because certainty feels safer than confronting the unknown.

As we gain more experience, we begin to experiment. We test limits. We chase extreme external goals — sometimes at the expense of health, relationships, or inner peace — still operating from hunger, ambition, and the fragility of the ego.

It’s a necessary stage, but often a turbulent and unfulfilling one.

David Duval fell off the map after reaching World No. 1. Bubba Watson had his own “Is this it?” moment with his caddie, Ted Scott, after winning the Masters.

In Aaron Rodgers: Enigma, reflecting on his 2011 Super Bowl win, Rodgers said:

“Now I’ve accomplished the only thing that I really, really wanted to do in my life. Now what? I was like, ‘Did I aim at the wrong thing? Did I spend too much time thinking about stuff that ultimately doesn’t give you true happiness?’”

Jim Carrey once said, “I think everybody should get rich and famous and do everything they ever dreamed of so they can see that it’s not the answer.”

Eventually, though, something shifts.

We begin to see in shades of gray. Winning, dominating, accumulating—these pursuits lose their shine. The rewards feel more fleeting. Living in a constant state of fight-or-flight makes us feel alive, yes, but not happy and joyful.

Compassion begins to replace ambition. Love, presence, and gratitude become more fulfilling than status, profits, or trophies. We crave balance over burnout. Collaboration over competition. Meaning over metrics.

Interestingly, if we zoom out, we can apply this same model to nations and cultures. Countries, like people, have a collective “soul stage” made up of the individuals within them.

Take the United States, for example. I’d place it as a mid-level soul: highly competitive and deeply driven, but still learning emotional maturity. Still uncomfortable with nuance. Still believing that more is always better. Despite its global wins, the U.S. currently ranks just 23rd in happiness (as of 2025). You might liken it to a gifted teenager—bold, eager, and ambitious, but angsty and still figuring out how to live well and in balance. As much as a parent wants to protect their child, sometimes the child has to make their own mistakes to truly grow.

So when Scottie Scheffler wonders what the point of winning is, I don’t see someone losing strength.

I see someone evolving.

He’s beginning to look beyond the leaderboard. Beyond metrics of success that carry a lower vibration. And yet, in a poetic twist, Scheffler did go on to win The Open. But that only reinforces the point: even at the pinnacle, the question remains. And if more of us in the golf and sports world — and in U.S. culture at large — started asking similar questions, we might discover that the more meaningful trophy isn’t about accumulating or beating others at all costs.

It’s about awakening and evolving to something more than winning could ever promise.

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